Monday, July 30, 2007

Joshi Puroresu Diary Launched

By the way, I have launched Joshi Puroresu Diary even though I have been supposed to be very busy writing up my PhD thesis. :-)

The aim is to organize joshi puroresu YouTube videos (which are increasingly uploaded during the past one year by presumably mad American fans of joshi puroresu) by date and wrestlers.

I believe that joshi puroresu is the last hidden gem in Japan. With help of YouTube and all those YouTube users who upload joshi puroresu videos, I can finally promote this to a wider audience.

Anyway, so far the best match is Momoe Nakanishi vs Ayako Hamada. Try watching this.

Sunday, July 29, 2007

Tuesday, July 24, 2007

Where Am I Going?

In case you still don't know where I'm going from next academic year on (especially for one reader in New Haven---I'm sorry I ignored your request until today), I'm moving to the world's 8th most livable city on 21 August.

Proof of Impossibility Theorem: Step 1

A couple of years ago, I was mad about this girl. The encounter with her made my life a lot easier. I even used a deformed version of her name as my login password for various websites.

But I didn't understand the nature of her job. She was like a fisherman. No matter how long you work, you won't earn any money on a day when there is no fish in the sea. The more you work, the more you earn on a day when there are tons of fish in the sea (assuming that the price of fish is constant no matter how much you sell them ... I apologize for my economist self). Working 8 hours everyday does not maximize your income. You need to work hard when you are lucky. You don't need to work at all when you are unlucky. Which will be the case tomorrow is uncertain, out of your control.

But I didn't understand this simple thing. I demanded a constant, steady flow of interactions with her everyday, which must have annoyed her a lot. If she reads this, I want to belatedly tell her that I'm very sorry for my immaturity.

If I'm asked, "If I met her today, then would I behave differently?" my answer is unfortunately no. To start a relationship, I need to have a sizable amount of time to stay together initially. Then we will learn about each other. Once I go through this period, then no matter how busy my partner is, I can trust this person and endure loneliness. If, from the beginning, we can't stay together at all, I can't go anywhere with this person.

Given that my life will be pretty much busy for the next six years, and given that I like a woman who is busy doing her work, this proves, at least partly, the impossibility that I will meet somebody soon.

This series "Proof of Impossibility Theorem" will continue irregularly.

Acknowledgement: This post is inspired by a blog post in Japanese on 7 July 2007 by Professor Fumio Ohtake, a labor economist at Osaka University.

Sunday, July 22, 2007

D-Fix plus Takaco vs Kansai, Eagle, and Devil

I've learned that I can use YouTube to promote what I love in Japan: old-skool visual-kei rock and women's pro-wrestling. Here's an example of the latter:


Watch out for 4'10'' when Kaoru did swanton from the balcony. Also Kansai's Splash Mountain at 7'30''.

Get Addicted? Here's the last half of the match.

Enjoy another Japanese world.

Saturday, July 14, 2007

Econoclasm Travel Guide vol.1: Tokyo

Last month's issue of Monocle magazine ranks Tokyo as the world's 4th most livable city (see the magazine article via International Herald Tribune's website).

American cities including New York are all out of top 20 (except for Honolulu) because crime rates are high. London is out, too, because of its infamous public transportation and due to the absence of bars after midnight.

To celebrate this, I make public my own travel guide for anyone planning (or longing) to visit Tokyo. Enjoy! (Adobe Reader required.)

S.K.I.N.

Imagine you are NOT from an Anglo-Saxon country. So rock musicians from your country are never famous world-wide.

Then two of the best rock stars for you back in school days, each the leader of a hugely popular rock band in your country, form a new group more than 10 years on, play the first gig, not in your home country but in Los Angeles, in front of screaming American fans.

How would you feel?

Well, this happened to me:


And it's not just rock music but also pianos, violin, and shamisen (a Japanese traditional guitar).

This is the final answer from Japan's rock music to the world. And here's more information on S.K.I.N. from a blog run by an American Japan's rock music fan.

In case you know the term "visualkei" by reading French Vogue or watching a German tv program, they are the best "visualkei" rock musicians.

Friday, July 06, 2007

Commix - Strictly (Metalheadz)

free music


Commix has produced a couple of wicked tunes recently. This is one of them. His album is forthcoming from Metalheadz, Goldie's imprint. Watch this space.

This is a test post. As drum & bass tunes are of high quality these days, I should do something to let this be known to a wider audience. With the help of Blogmusik, I will start a music blog dedicated to drum & bass. If you click the above embedded music player, you will hear the tune, recorded from BBC Radio 1 programme hosted by Fabio on 23 June 2007. So it contains a couple of jingles of BBC Radio 1. This may be annoying, but this should be enough for you to appreciate the music and to buy drum & bass tracks.

Sunday, June 03, 2007

A Sunny Day in London

Leave home around 10:30am, when the voice of a flatmate's girlfriend upstairs starts depressing me. Hop on a double-decker, heading for Shoreditch, the edgy area of East London. Getting off, walk towards Macondo, my favorite cafe on Hoxton Square. Find funky railings on a backstreet building on the way.



Arriving at Macondo, order seafood paella and chicken salad with mixed berries yogurt smoothie. Start reading an article on the June issue of Monocle, interviewing a Russian opposition PR woman. The smoothie comes first, which could have been colder on such a sunny day. But the paella and the chicken salad are gorgeous, a rarity in London.

Tired of reading Monocle, leave Macondo and enter Hoxton Square park. Following other Londoners, lie down on a lawn in the sun. With my iRiver MP3 player---a resistance to iPod dominance---start listening to the music London gave birth to: drum and bass.

Fabio's liquid funk mix and London's rare sunshine make me drowse a while. Waking up, notice that people keep visiting the White Cube gallery, which is usually closed on Sundays. With my headphone still on my ears, visit the gallery only to find it's the exhibition of latest works by Damien Hirst, probably the most popular contemporary artist in UK. Without being moved at all, leave the gallery and think about where to go next.

Walk down to Old Street tube. Find a graffiti of high quality beside rubbish bins.



Take the Northern Line to London Bridge. From the station, walk towards the City Hall. Realize that the City Hall has a really strange shape, with the Tower Bridge aside.



Walk along the Themes to the west, heading for the Tate Modern museum. Quite a few, but not an overwhelming number of, tourists.

Arriving at the museum, enter the Level 2 gallery, which is in my view the best gallery in Tate Modern. Like Anselm Reyle's works. Futuristic because he uses silver foil, neon colors, and mirrors. And stylish because for contemporary art works, they don't depress viewers. Wish I would have money in the future to buy his works to decorate a large, inorganic room for playing back music.

Getting out of the museum, see St Paul's dome looms across the river.



Turn back and head for Southwark tube station by following orange lamp posts. Take the Jubilee line to Green Park because there is an M&S above the station, where I can buy decent whole milk (I can't stand British milk on the usual supermarket shelf).

Then stop by at a Caffe Nero at the corner with Dover Street, ordering Frappe Latte with an extra espresso shot. Sit at a table outside, watching red double deckers and red bendy buses passing on Piccadilly, which makes me look back at the past five years of my life in London.

I could have visited Dover Street Market, Rei Kawakubo's revolutionary brand clothes store. But prefer not being reassured that any good-looking clothes in London are not affordable. Go back to Green Park tube station, taking Piccadilly and Central Lines to get home with Monocle at hand and earplugs inside my ears to silence the sound made by the clunky train carriages.

Saturday, May 19, 2007

Tip for copy-and-past

I've long been grumpy about copy-and-pasting. When you want to copy and past some text on a webpage to, say, your Word file, not only letters but also the font format, which is different from your Word file text font format, is also copy-and-pasted. I finally understand how to avoid this. See this webpage.

Monday, May 07, 2007

A moving quote

"Don't discount Africa. The giant has woken up. You can feel it. I tell you because I travel in Africa a lot. You can see the pride in people's eyes. ... We are awake now. It is coming." ---Titus Naikuni, CEO of Kenya Airways (Monocle, Issue 03, May 2007, p.69)

Thursday, May 03, 2007

Nigeria

During the past few weeks, the British media (ie. FT and The Economist) has produced revealing articles on Nigeria.

Andrew Jack of Financial Times reports Nigeria's war on fake drugs.

By the turn of the millennium, Nigerians had become among the world’s most frequent victims of fake drugs.
The Economist reports, two weeks in a row, how Nigerian politicians rig elections:
In Anambra state, most people could not vote at all. They turned up at the voting stations, but often INEC's officials [that is, electoral commission officials] simply did not arrive. When a polling station did open, usually about six hours late, the officials did not have enough materials, notably a register, to let voting begin. On a tour of a dozen voting stations in the state capital, Awka, on the afternoon of polling, your correspondent did not see a single vote being cast, just angry mobs of frustrated would-be voters saying they had been “disenfranchised”. Barely any polling stations were provided with a results-sheet, on which officials and party agents are supposed to record the number of votes cast for each party; presumably these were being filled in elsewhere. ("How to steal yet another election" The Economist, 21th April, 2007)
On the day of the presidential election money-politics could be seen in action in central Kano, the dusty, dilapidated industrial capital of the north. There, in the local government area of Fagge, the PDP had budgeted 35m naira for political “mobilisation” and the main opposition party, the All Nigerian Peoples' Party (ANPP), 40m naira. In one ward, Fagge A, the PDP, according to one of its operatives, had budgeted 594,000 naira ($4,650) for 21,000 registered voters and 35 ballot boxes. Thus each “independent” presiding officer at the polling station was given 3,000 naira and his clerk 2,000 naira. Each policeman was getting 1,000 naira. That left payments of about 200 naira ($1.57) per voter—whose votes, far from being secret, were inked with a thumb on the ballot in front of party agents. Multiple voters, who will have registered several times with sympathetic election officials, might vote ten times, at a reduced bulk rate of 100 naira—still picking up a tidy 1,000 naira each. The friendly officials are paid for a variety of services, one of which is not to scrutinise the register too closely. Hasia, for example, had just voted with the registration card of her mother, who had already voted herself. Hasia had the second of her mother's two cards. She has probably not even reached the legal voting age of 18. Her card clearly identified its owner as being 60 years old, but this had not proved a problem with the right official. ("Big men, big fraud and big trouble", The Economist, 28th April 2007)
But there are pockets of the bright side as well. The war on fake drugs starts paying off.
Recent studies suggest that the proportion of fake and unregistered medicines in Nigeria has dropped to less than 20 per cent over the past six years.
Foudeh Darwish, the Lebanese managing director of Afrab-Chem, a manufacturer of antibiotics and other drugs based in Lagos, ... shows me the plans for his new ₤2m factory set to open later this year in compliance with international quality manufacturing standards. "Two years ago, this would not have been possible," he says. The investment is a sign both of new demand within Nigeria for high-quality medicines, and a reduced threat that genuine regulated products will be undermined by fake alternatives.("Lethal Doses", FT Magazine, 7 April, 2007)
Cross Rivers, one of the 36 states of Nigeria, has a good state governor:
In the state capital, Calabar, the streets have no pot-holes. According to the state government, every village is connected to the national grid and everyone has access to clean water. ... Cross Rivers has no oil wealth. [State Governor Donald Duke] has achieved all this on a fraction of the money available to his neighbours. Instead, he has frozen official salaries, cleverly exploited existing resources and taken on debt. In partnership with private investors, he is also responsible for Tinapa, the largest retail and business development in west Africa. It contains several new giant studios to grab a large slice of the $200m-300m a year "Nollywood" film industry, which churns out, by some estimates, more films than either of its rivals in Los Angeles or Bombay.
You've never heard about Nollywood? The Economist already reported it last July:
IT ALL started by accident in 1992, when Kenneth Nnebue, a Nigerian trader based in Onitsha, was trying to sell a large stock of blank videocassettes he had bought from Taiwan. He decided that they would sell better with something recorded on them, so he shot a film called "Living in Bondage" about a man who achieves power and wealth by killing his wife in a ritualistic murder, only to repent later when she haunts him. The film sold more than 750,000 copies, and prompted legions of imitators. Nollywood, as Nigeria's film industry is known, now makes over 2,000 low-budget films a year, about two-thirds of them in English. ("Nollywood dreams", The Economist, 27th July 2006)
I'm rather impressed by Nigeria's potential both in the right and wrong directions.

Saturday, April 14, 2007

DNB in Week 15 of 2007

Fabio's BBC Radio One show last night played several excellent stylish liquid funk tunes (artist name(s), title in quotes, and record label name in parentheses, followed by my comment):

High Contrast featuring Diane Charlemagne "If We Ever" (White) --- An old skool flava with High Contrast's upperclass sophistication.

Unknown artist "Piece Of Heaven" (Zinc Remix) (Bingo) --- This is exactly what drum & bass heads call a BAD TUNE. The bassline is really bad. It's so imcompatible with soulful, smooth female vocal that the result is a perfect match.

Calibre "Dirty Mind (VIP remix)" (Signature) --- minimalist summer cosiness.

Insight "No Love" (Progress) --- Listen to a MP3 sample provided by Juno Record.

Tidal feat Olivia "So Sexy" (White) --- A summer liquid funk featuring female vocal from a new drum & bass talent.

Total Science "Divided We Stand" (White) --- Another BAD bassline.

A.I. "Desperado" (Liquid V) --- A masterpiece. One of the tunes that established, back in 2004, the current popularity of liquid funk. Listen to a MP3 sample provided by Juno Record.

Sunday, April 01, 2007

Robert Mugabe

The Economist article on the Zimbabwean President this week gives you a slightly different view on Mugabe: giving lessons to staff in the government, working punishing hours, frugal, teetotal, faithful to his wife...

Sunday, March 18, 2007

Distillery District




The Distillery District is what Toronto can boast about to the rest of the world. The former booze factory buildings, dating back to the 19th century, are all preserved in outer appearance while their inside is occupied by trendy boutiques, design furniture shops, stylish cafes, spacious contemporary art galleries, and so forth. What impresses me is I can't tell what's inside until I open the door. Shop signs are all discreet, preserving the distillery atmosphere.


Shopping experiences in high streets are usually tiring because you are exposed to too many showy advertisements. Contemporary art galleries are often located in scruffy streets because rents are cheap in such areas. Here in the Distillery District you can enjoy shopping and art viewing in style. I like the whole concept behind this complex. A must see when you visit Toronto.

Sunday, March 11, 2007

FT columnists

I terribly miss Tyler Brule's column on FT Weekend everytime I read the very first sentence of the column by Chrystia Freeland, who succeeded Brule as a columnist for the last page of FT Weekend at the beginning of this year.

This week, her column begins with the following sentence:

When Nancy Pelosi celebrated her swearing in as speaker of the House this year...

I actually stop reading before reaching the end of the first sentence of the column. Freeland, FT's US managing editor, keeps writing about America. That's already a cliche. Ordinary intellectuals love writing about USA because the country offers many mainstream polemical issues. Last week, Freeland began her column with:

Whenever the FT runs a picture of Hillary Clinton...

I then stop reading it. I don't care about Hillary Clinton. Intellectuals who love talking about USA always try to talk about some social or political issue triggered by some incident taking place in the State. It's so predictable. Absolute nothing beyond my expectation.

Instead, I have recently discovered an intriguing columnist on FT Magazine: Mrs Monneypenny. She's funny because her views often conflict with mainstream ones in Western society. This week, she writes: "I am not sure why we need lists of endangered species." She defends her position by referring to Darwin's survival-of-the-fittest theory. "If species are not fit enough to survive, then surely they should be allowed to become extinct?" It's so hilarious.

Her view on childbearing is also provocative to many in the West. Two weeks ago, she wrote: "I generally believe in sending [children] to boarding school as soon as possible after they start eating solid food." She refers to her three kids as Cost Center #1, Cost Center #2, and Cost Center #3. (I still don't fully understand what "cost center" really means. I know it's a term from accounting. Anybody willing to post a comment on this?)

Now you know my taste. This is why I tend to be quiet in front of people and keep blogging. :-)

Friday, March 09, 2007

How to Write a Press Release of Your Empirical Economics Research

Based on my analysis of a successful example of RES Media Briefings. (Her research was featured in many major UK newspapers.)

1. The first paragraph begins with a general sentence on the main finding of the research, followed by another sentence repeating the same finding but in a more specific way. The first paragraph must be self-contained: "if you took away all the paragraphs except the first, the press release should still make sense." (Romesh Vaitilingam, RES Media Consultant)

2. The second paragraph states additional important findings.

3. The third paragraph introduces a bit of details on the data used (e.g. what survey is used, who answers the survey, when the survey is conducted, how many respondents the survey obtain) and what you actually investigate. But do not describe these too precisely. Keep the paragraph short.

4. Then restate the main finding with details including the magnitude of the effect, for whom the effect is larger, etc.

5. Restate the additional important findings mentioned in the second paragraph. Introduce some less important (but still interesting) findings.

6. Mention some theoretical arguments explaining the results, if any.

7. Mention the methodological innovation (ie. identification strategy) in an accessible way.

8. Conclude with a couple of policy implications of your findings.

Also see Mankiw's writing guideline.

Thursday, March 08, 2007

Libor Novacek

My second-to-last lunchtime concert at LSE is a performance by a Czech pianist Libor Novacek.

Mozart: Rondo in D, K485

For the first time ever in my life, I enjoy Mozart. Libor Novacek juxtapose various expressions within this piece of music, sometimes even at the same time by playing the piano in one way by one hand and in the other way by the other hand. Libor reveals his sutble, but generous and embracing touch on keys. I would get bored if somebody else plays this piece, as the music itself, as usual for Mozart, is rather simply structured. But with Libor's hands, it sounds totally different.

Mozart: Rondo in A minor, K511

The same comments as above. I have heard some of the melodies in this piece.

Janacek: In the Mists (1912)

An intersting and sleepy piece. Towards the end, I nearly fall asleep, not because I get bored. It is because I'm pleased with Libor's play.

Brahms: Sonata No.2 in F sharp minor Op.2

A theatric, Christian Lacroix-ish piece. Again I easily imagine myself being bored if someone else plays this piece. But Libor plays it in a pleasant way. Towards the end, my mind is truly refreshed.

------

Another thing that deserves a mention: the Steinway piano, recently bought by LSE, sounds superb. Part of the reason I enjoyed Matan Porat two weeks ago, I now notice, is also owing to this piano.

Saturday, March 03, 2007

Pierre Victoire

Have dinner with Yumiko-san at Pierre Victoire, London's affordable French restaurant.

We have duck in red wine sauce and baby chicken in tomato and basil sauce. Both main dishes are excellent. Bread and olives are excellent as well.

However, service and comfortability is not excellent. Waiters keep kicking Yumiko-san's chair. It takes five minutes to have a bill after asking for it. The place is packed with tables. Our private zone is rather limited. Plus, customers are amazingly noisy here.

I guess this restaurant is affordable despite its excellent food, because it's not that comfortable. If you only need good French foods, it's highly recommended. If you look for a place to relax, never go to this place.